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Frequently Asked Questions/ Rates
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What's the studio rate for recording?
effective as of 1.1.22
$75/hour
$550/ short day 8 hours (not a lock-out)
$800/ long day (12 hour lock-out)
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Do those rates include an engineer?
Yes.
• What's a day?
A long day is a 12-hour lock-out. The
advantage to the long day is, if you book consecutive days,
you can leave everything set-up and walk in the next morning
and pick up right where you left off. But please be cognizant
that engineers are people too--they need to eat and and go to
the bathroom just like you! We leave time for a couple meal
breaks in the day for everbody's sanity. With the
short day be aware that there may be other
sessions before or after yours.
• What are the hidden costs?
The only additional costs are your recording media (CD-R(s),
DVD-R(s), external hard drive(s), analog tape(s), etc.). You
will never be charged extra to use any of our
instruments or gear.
•
Can we break up the day rate over two days?
Nope, that's why it's called a day rate. (We get asked this a
lot.)
• Can we get a tour of the studio?
Of course! Start out with a tour for
the basic overview, and
contact us for the live-action
version. Email is easiest, or call and leave us a voicemail at
248-399-0550. Sometimes we can do the tour that day, sometimes
in a week or so. (It depends on the sessions that are active.)
The only thing we ask is that you are serious about recording
here. Please know that we NEVER show the studio during someone
else's session. You wouldn't want strangers traipsing through
your session, would you?
• Do you have a drum kit?
Yes. When you book time, please let us know if you will be
tracking with our drum kit, so we can make sure the heads are
in good shape for your session. Check the
equipment page for specifics.
• Do you have a piano?
Two! A beautiful Yamaha C7 concert grand and a very
cool-sounding 1913 Hobart & Cable upright grand. When you
book time, please let us know if you will be tracking with
either of our pianos, so we can make sure they are in tune for
your session.
•
What's the deal with all of the instruments?
All instruments are available with the studio rental, but not
everything is always in the studio. Please give us advance
notice if you want to use a specific guitar, amp or keyboard
and we'll do our best to make sure it's ready for you. (Check
out the list of instruments on our
equipment page.)
•
My buddy has ProTools at home. What's the
difference?
Most simply, experience. Lots of folks have
"professional" software, but the difference is that
the person running it usually isn't. Put another way, you may
have a Les Paul, but that doesn't mean you're Les Paul (or
Jimmy Page, Django Reinhart, Thurston Moore...you get the
point).
•
I've seen cheaper studios, why should I/we come to The
Tempermill?
World-class gear, experienced, professional engineers, a
microphone closet to die for,
analog tape, ProTools, and a welcoming, convenient, laid-back
atmosphere for making records. You may think by paying a lower
rate somewhere else that it's cheaper, but we can very often
get you much better results more quickly (aka--more cheaply).
If you decide you want a grand piano, Nashville guitar or some
weird synth, amp or effect, it's all here--in a room
specifically designed for recording music.
•
Do you have a demo CD of tracks from The
Tempermill?
We don't, but if you schedule a tour to see the studio and are
serious about doing a session, we're happy to assemble some
specific sample tracks for you.
• Do you work weekends?
Of course. In fact, weekends are usually booked well in
advance, sometimes a couple months.
•
Can we come in early or the night before to set up?
No. Sessions begin at the time you schedule them. Much of the
engineering work begins as you start setting up, so we have to
charge for this time.
• What's a producer?
In general terms, a producer is someone who is heavily
involved in your project, possibly attending shows and
rehearsals, working on arrangements, checking out your
equipment, recommending outside musicians, deciding what songs
to record, and more. They will see your project through
completion, and help you get the best takes. A producer
doesn't have to be an engineer, and you may see sessions where
a producer and engineer work together. One would hire a
producer based on the quality of the previous work this
producer has done, familiarity with their style and an
understanding that they will be calling the shots and raising
the quality of the album project. A producer is generally paid
a fee on top of studio costs.
• What's a co-producer?
In general terms, a co-producer is someone who will engineer
your album and make suggestions and subjective comments in
order for you to make the best recording possible. They will
be active in assessing takes and suggesting sounds,
arrangements, etc. Usually they will jump into the session
cold on the first day. Generally they will be the sole
engineer as well. One would hire a co-producer based on work
they've done before and their familiarity with the studio
being used.
• What's an engineer?
In general terms, an engineer is someone who knows how to
operate the recording equipment in the studio, achieve quality
sounds, and accommodate the requests of the artist or
producer. One would hire an engineer based on a recommendation
from the studio, work they've done before and their
familiarity with the studio being used.
• What's a recording studio?
A recording studio like The Tempermill is a space where music
is played and the sound is recorded. The Tempermill is NOT a
record label looking for talent, or a rehearsal room.
•
Do you do voiceovers, video editing, music for film or
radio spots?
Sure we can, The Tempermill is best known and geared toward
recording music sessions but we have certainly done many
commericals, audiobooks & audio cleanup.
• Analog or Digital?
Tape is rarely available new and is getting pretty expensive.
We've had very good results renting tape that we've used from
previous sessions. We can run the machines at 30 ips, which
gives you 16 minutes per reel or we can run at 15 ips for 32
minutes per reel. We typically transfer tracks from tape to
ProTools for the overdub and mixing process. The advantage is
that you're always moving forward with the project and can
quickly jump from song to song. If we're using ProTools we
recommend you bring your own FireWire/USB or thumbdrive to
take files home.
•
What's Mastering?
Mastering involves taking your final mixes and creating a
seamless whole out of a collection of individual tracks.
During this process, pops, clicks and other strange noises can
be fixed, volume can be amplified, and clarity, smoothness,
impact and punch can be enhanced. We can then assemble a Red
Book master CD complete with CD-text and ISRC codes that
you'll need for replication and digital distribution.
• Do you do mastering?
Yes, a lot! The rate for mastering is $75/hour. Most full
length album projects take between 3-5 hours.
• Do you have beats?
We have a large selections of drum tracks and samples, etc.
But remember that building up tracks is gonna take a lot of
time and creativity. There are no "walk in and sing and
walk out with a CD" services available.
•
I don't have a band, can you provide one?
Yes, we've done many projects for singer/songwriters that
needed accompaniment. The rates for individual musicians vary.
Sometimes we can work out a day or project rate for musicians.
In the long run, paying some top-notch players can be the most
efficient way to make a great recording. (It goes much quicker
than getting a buddy that hasn't played drums since high
school!)
• Do you do vocal demos?
Yes we can, but it's up to you to find instrumental backing
tracks.
•
Can you transfer my old vinyl/cassette/reels/etc. to
CD-R?
We can, but be aware that it can be a time-consuming process.
We have experience baking old reel-to-reel tapes as well.
•
Are you currently accepting interns?
There are no plans to be taking on interns in the future.
We've had very mixed results with interns in the past. If
you're incredibly motivated, feel free to send an email.
•
Does The Tempermill hire engineers or assistants?
The engineers all work freelance, many times bringing in their
own work. There are no assistant, runner or tape op jobs
available. But if you are a competent engineer who can bring
in your own sessions please call or email--we can always
accommodate freelancers. (This is also the best way to break
into engineering!)
•
Does The Tempermill have blank tape for sale?
Sometimes. Call or email us to find out.
•
Can I bring my own engineer for my sessions?
Sure, but we'll need to talk to them and see if they are
qualified to run the studio here.
• Is Tempermill non-smoking?
Yes. Smoke cigarettes outside only. Smoking "other
stuff" is not allowed due to liability/impoundment issues
and a misguided government.
•
Can we all play live in the studio?
We like to do basic tracks live with bands. We can isolate the
drums, guitars and bass, or run them live in the same room.
Doing live tracks with acoustic guitars is possible, but
remember that if you are singing a foot away from your guitar
that the mic on the guitar will pick up your voice as well and
that recording acoustic guitar in the same room as a loud drum
set can be troublesome.
•
How long will it take to record my album?
We don't know. A well-rehearsed band can lay down most of the
basic tracks for an album in a day or two. Overdubs can take
anywhere from one to seven days depending on the amount of
work and pickiness. For mixing, budget three hours per song or
so--at the very least. A guitarist/singer who has their tunes
down can track hours of live stuff in one day, mix it all the
same day and have a decent live demo. It really depends on
what you are looking for. Many of our better songwriter/band
projects have taken ten to fourteen days. Some projects go
faster. Always add time to your estimates! (We've made albums
in one day and one month...just don't expect to make Sgt.
Pepper in an afternoon!)
•
We're coming from out of town, what can we expect?
We've had bands come from as far away as Australia, England,
Germany, The Netherlands and Nova Scotia. There are a number
of modestly-priced hotels nearby, and lots of great
restaurants in Ferndale and neighboring Royal Oak. There's
also plenty of room in the parking lot for a tour bus or van
& trailer.
• What if I have another question?
Email is best:
info (at) tempermill (dot) com or call
248-399-0550. (We're very nice but can't
always pick-up the phone--it's noisy here!)
Terms & Conditions
A session begins billing at the time the client booked it for,
regardless of whether the client is present or not, and
continues until the final load out. Consecutive studio day
rate rentals (not hourly) are mandatory if gear or mixes are
to be left set up overnight. The Tempermill accepts payment by
check, cash or credit card via Paypal. You may be billed
separately by your engineer. Payment is due at the end of the
session. All mixes, CD-Rs, hard drives, master tapes, etc.
shall remain the property of the Tempermill until all invoices
are paid in full.
We require a $100 per day deposit in advance at time of
booking. If you have a multiple day session, your deposit will
not be refunded if the session is cancelled with less than one
week’s notice. Single day sessions require 72 hours
notice. If you don't cancel or don't show for your session you
are still responsible for the time booked. Exceptions will be
made for serious illness or death, not for lack of rehearsal
time or lack of money. (We're not like a dentist's office with
a waiting room of clients, so if you cancel or don't show,
it's nearly impossible to schedule someone else in at the last
minute.)
LIABILITY:
We are not legally or financially responsible for items
brought into or left on the premises. It is recommended that
clients obtain insurance to protect against possible damage
expense or loss of article(s) of value left on the premises.
This includes master tapes, hard drives, or any media left at
The Tempermill during sessions or before payment.
DIGITAL MEDIA WAIVER:
This information is intended to educate Tempermill clients
about the nature of digital media and also to establish legal
boundaries regarding their digital data: Make multiple backups
of your data. Unless there are at least two copies of the data
somewhere it is not safe. Three copies is preferred. This is
YOUR responsibility! Backup copies of sessions in the digital
realm should be made daily during the course of a session and
taken home with the artist or producer at night. Post-session
backups can be made onto external Firewire or USB hard drives,
stored in an online data storage bank or burned to DVD-R or
CD-R. There is no certainty that a CD-R or DVD-R will hold
data for the long term or that a stored hard drive will play
back after sitting for any amount of time so back up your data
to newer media as time goes on. We highly recommend purchasing
quality, name brand hard drives.
Legal Responsibilities
1. Tempermill Studios, Inc. is not responsible for storing
your data or audio tapes during the course of a recording
project.
2. Tempermill Studios, Inc. is not responsible for storing
your data or audio tapes once the project is completed.
3. Tempermill Studios, Inc. is not responsible for data left
on premises, either the dissemination of said data or loss
thereof.
4. Tempermill Studios, Inc. is not responsible for educating
or instructing any client on the care and safety of digital
data.
5. Tempermill Studios, Inc. is not responsible for
unrecoverable data, whether it be on analog tape, hard drive,
CD-R or DVD-R media.
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